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It normally creates vivid colors for up to 90 seconds, depending on how windy it is. While a wire pull canister may cost a bit more, the accessible wire gives photographers a better window in controlling the smoke.
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This is commonly a wire pull smoke grenade that’s easier to use than ones that require a lighter. Always remember, safety first! Use the Right Kind of Smoke Bombįirst tip: Look for canisters you can hold by hand. As long as you follow these safety precautions, you can enjoy using the smoke’s colors for your artistic pictures. Keep in mind that a smoke bomb is like a fire in a stick, so there are still risks of flaming and injuries. Be assertive and direct your subject on what to do so they don’t stand still the whole time. You can set your smoke bomb off on the ground and see if your subject moving about within the smoke can create cool swirls within the smoke. There are endless possibilities with smoke bombs: subject standing still with the smoke behind them, subjects holding smoke canisters and moving about, or an assistant running around your subject with the smoke bomb. Since you would only have 90 seconds to capture the smoke, make sure to prepare the props before lighting the canister. The goal is to make it look that the smoke is billowing out of an ordinary object. You can use things like an umbrella, lantern, or birdcage. Use PropsĪnother shooting technique is to put the smoke bomb in another object or use props to conceal it. This way you still keep all the lovely colorful smoke in the background. While we all love artsy photos, you still want your client to be recognizable in most of the images.Īsk your subject to move towards you and away from the cloud of smoke if you’re starting to lose their face. Watch Out for the FaceĬareful to avoid too many pictures with smoke in front of your client’s face. The faster the subject moves, the wispier and thinner the trails become. In effect, it can leave more prominent trails of smoke. Form Smoke TrailsĪnother tip when controlling the smoke is to move the smoke canister or bomb slower. Hence, there would only be a few seconds for the model to move around the smoke. While photography smoke bombs like Enola Gaye can last for up to 90 seconds, it only takes a few seconds to generate huge puffs of smoke for a dramatic effect. Finalize your composition, lighting, pose, and everything else before you pull the smoke bomb’s cable or wire. Make sure that your wire pull model is standing in the right spot. Coordinate Poses Before Lighting the Smoke Bomb You can also use this to create some depth of field. When using fast shutter speeds, set the aperture between f/4.0 and f/5.6 to maintain focus on the model and the smoke. However, make sure that your model also moves slower. Leave the shutter open a bit longer, and you can get motion blurs for a mellow effect. On the other hand, a slower shutter speed can give the smoke a wispy and smoother look.
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You’ll need to adjust your ISO and aperture to compensate for the fast shutter speeds. You need to increase your shutter speed in the range of 1/800 – 1/2500. Increase your shutter speed to capture the whorls, puffs, and details of the smoke. Need a refresher on shutter speeds? We’ve got you covered. Since the smoke will move around as it flows out of the canister, a fast shutter speed can freeze that motion. Use complementary hues to avoid the colors from clashing. Meanwhile, bright orange and pink can lighten your shots.Īdditionally, consider your subject’s wardrobe. Dark hues like deep purples and blue can produce a shady or gloomy effect. The smoke colors can help set the mood of your images. To use smoke bombs in a shoot, it’s essential that you plan how your shooting style, camera, and the smoke bomb will work together. Have you ever gazed longingly at the multitude of beautiful smoke bomb photos online and wished you could shoot photography like that? Stop wishing and get creating! Read on for need to know photography tips for making the most out of the smoke bomb experience.